Badman Riddim - Music Video (Barrington)

Music Video Evaluation (Barrington)

Evaluation

How did that Video work?

The video worked through the hard work and consistency of the producers, editors and actors as well as the audience they all worked as a team for.

We all learnt many lessons from the experience, for example; We learnt how to take leadership roles, make quick decisions and/or improvising where necessary, the procedures, advantages and disadvantages of filming music videos; only naming a few.

 What would make it better?

It would have been better if we had more money to fund our production. This means we may have had more lighting equipment, better cameras/actors/props, and overall more variety in the video without as many limitations.

Also if there were more people working on the project, we may have got work done faster, with less effort and to a higher standard.

 What did the people who Helped, Watched or Shot the video think?

They thought that there were a few minor draw-backs throughout the project’s duration. However only small changes were suggested. These changes included adding Aspect ratio, different background footage and a more detailed story, which after explanation were withdrawn and understood.

What will I do differently next time?

Next time, we’ll hope to begin working MUCH faster and be hands-on with the ideas and processes we’ll need to take on. We also hope to add more locations and equipment with better funding or different providers to contribute towards our project. We will also choose our editing software beforehand to ensure quick, reliable movement with no delay through the course of our work.

Risk Assessment (Barrington)

Activity	Hazard	Control measure
Moving props	Someone getting injured eg pulling a muscle, putting strain on their back	If a piece of equipment is to heavy ask someone for help. Carry one object at a time.
Tripping on wires and camera equipment	Breaking Equipment or hurting yourself	Move the equipment carefully and be aware of where the wires are
Editing for a long period of time	Straining eyes may also cause headaches	Take turns in editing and take breaks when needed

 

production schedule (Barrington)

Production Schedule

Location

Fairbourne avenue

Tottenham

London

02089761903

Scenes

Scene 1- Ruffle Snuffle (Character 1)

Scene 2-That guy In The Jumper Who Can’t Talk (Character 2)

Scene 3 -The Boy With The Sack On His Head Who Is Related To That Guy In The Jumper Who Can’t Talk But Has Canerows That You Can’t See Because Of his Sack (Character 3)

Equipment needed

-Canon 550D

-Tamron Telephoto Lens

-Canon Standard Lens

-Canon Wide Lens

-Tripod

-iPhone 4 (With an App for Lighting)

-Sony Ericsson Xperia (With an App for Lighting)

-Nokia (With a Flash-Light)

-Thin Blue Carrier Bag (as filter)

People needed

Kameron Brown

Kiana-Eshe Hoji 
Javid Thomas

Equipment list (Barrington)

Equipment List

Vato Gonzalez ft. Foreign Beggars – Badman Riddim (Jump) (Music Video)

-Canon 550D

-Tamron Telephoto Lens

-Canon Standard Lens

-Canon Wide Lens

-Tripod

-iPhone 4 (With an App for Lighting)

-Sony Ericsson Xperia (With an App for Lighting)

-Nokia (With a Flash-Light)

-Thin Blue Carrier Bag (as filter)

call sheet (Barrington)

Call sheet- Music video

Song

“Vato Gonzalez ft Foreign Beggar’’- Badman Riddim

Shooting date

9^th December 2012

Crew details

Kameron Brown- kbthephotographer@hotmail.co.uk

Roles- director, Art Director, Production manager

Kiana-Eshe Hoji- kianaeshe@hotmail.com

Roles- 1^st assistant director, Editor

Location details

Fairbourne avenue

Tottenham

London

02089761903

Health and social notes

1.    Environment- not busy (only cast and crew)

2.    Clothing:

 Ruffle Snuffle (Character 1)

 Beige/ Brown Blazer Jacket, Blue Denim Jeans, Bow tie, Sun Glasses.

That guy In The Jumper Who Can’t Talk (Character 2)

Fully Zipped Hooded jumper, Denim Jeans, Katana Sword, Prayer Beads.

The Boy With The Sack On His Head Who Is Related To That Guy In The Jumper Who Can’t Talk But Has Canerows That You Can’t See Because Of his Sack (Character 3)

Brown Paper Carrier Bag, Red Cape, Carrot, Shirt, Jeans

Schedule

Call time- 12.00

Scene 1- 13.00

Scene 2- 13.45

Scene 3-14.30

Scene 4-15.15

Wrap- 16.00

Transport/travel schedules

All crew and cast will travel by bus

Equipment

Camera and lights

Facilities

Toilets

Food and drink

Expenses

Crew and cast bring back receipts so they can claim expenses.

Weather forecast

The location is indoors (room temperature)

Annoying orange effect

Annoying orange effect

1. Put footage and the picture of the orange onto the timeline
2.Bring up the scale of the orange to match your clip
3.

slow motion

1. Add clip to timeline
2.Go to the tool pallete on the right hand side of the screen
3.Click the speed tool or -sss
4.Go to the bottom left and click the toggle clip keyframe
5.Add control point by clicking on the row underneath your clip
6.Drag control points so that they are further apart

Pleasentville effect

Pleasentville effect

1. Get footage that has colours that stand out eg yellow
2. Go to effects-video filters- colour correction the drag onto footage
3.Colour correction tab
4. click on the limit effect bar
5.eye drop tool
6..Click the colour you want to key
7.The colour wheel will narrow down to the colour you picked
8.untick the saturation box and the luma box
9.Bring down clip saturation
10. Click invert selection tool
11.Holding down shift and eye dropper tool
12. Drag out the colour on the bar until the colour is standing out

Key Framing

Key Framing 

1. Get a picture from your browser and upload onto your project on Final cut.
2.Scale your picture to how you want it.
3.Select the picture in your timeline that you want to keyframe.
4. On the right side of the screen there is a a motion keyframe button or type -^k
5.Go to the where you want the keyframing to start and clicking on the keyframe button begin to move your image, each time clicking on the button to keep creating keyframes.

clone effect

This is the clone effect.
The main things you need to know while filming in order to make this work is:
Keeping the camera really still throughout it, lighting, and making sure the eye line is matched up.

1. Drag your footage onto the timeline.
2. Turn down the opacity of the top line
3. Adjust what your scene is meant to be so it looks how you want it to be.
4. once you have figured out how the scene goes turn the opacity back up.
5. Go to the motion tab-crop-and crop according to how the scene is.

Green screen

Green screen is another editing technique. The point of this is to make the character look like they are somewhere when in reality they are just standing in front of a colored screen. Weather Reporters are known to use this.

1. Film your character/characters in front of a green screen which can also be blue.
2. In final cut pro move your footage onto the timeline.
3. Select footage and go into effects-video filters-key-chroma keyer 
4. From your browser drag your photo onto the timeline preferably underneath your footage.
5. Select footage and go on chroma keyer 
6. Click on eye droper tool this will key out a colour
7. Select the green from the screen, most of the colour should then key out.
8. Holding down shift key keep pressing the tool to help take out more green.
9. Drag out the colour bar out till all the green has disappeared 
10. Drag out softener bar to take the pixelation away.